Boss Sp-1 Manual

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Trademarks and Copyrights are property of their respective owners. Login Registration is disabled. We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok. Roland Corporation RotoSound Schaller electronic Schulte Audio Elektr.SP-1 also proved to be very popular among keyboard players, who paired it up with electric pianos.Any hint is highly appreciated. Other than that we'rePlease submit your offers or leads here: e-mail. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The Roland Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Deleting or copying a patter. Using a memory card Using the SP-505 with other. Making system settings Restoring the factory settin. Appendices The manual No part of this publication may be reproduced in any form Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. Also, avoid getting the terminals dirty. Chop function The “Chop” function detects the attacks within a sampled phrase, and divides the sample into separate sound events. REC LEVEL (REC Level Knob) Adjusts the volume during sampling. Adjusts the EXT SOURCE volume. (2) SAMPLING SOURCE SELECT Button This selects the input source (input jack) that is to be sampled. SYSTEM Button Press this button when you want to make system-related settings, such as adjusting the display contrast or setting the MIDI channel. Display A variety of information is shown here.VALUE Dial Use this to adjust the value of a setting. EXIT Button Press this button to cancel an operation. You are returned to the Play page. Parameter list display fig.00-06 The scroll bar in the right of the screen shows the current location of the cursor relative to the entire list. http://short-story.ru/upload/boston-acoustics-speaker-manuals.xml

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This will reduce the available space on the memory card. Instead, it records (samples) various sounds such as music and vocals, and plays back these sounds. Effects This section applies various effects to the sampled sound (samples). When sampling ends, the BPM will be calculated automatically from the length of the sample. You can use the BPM Adjust function (p. After the Pitch function is executed, settings will be made automatically, so only the necessary portion is sounded.This will reduce the available amount of space on the memory. Each stereo sample counts as two sounds. If more than eight pads are pressed, the sample of the last- pressed pad will be given priority and will sound, and the sample of a pad you pressed earlier will stop sounding. On the SP-505 you can create basic rhythms by looping samples. For each sample, you can select one of the following settings (Loop Mode). Type The Lch and Rch signals from LINE IN will be MONO: mixed, and output to LINE OUT. STEREO: The Lch and Rch signals from LINE IN will be output to LINE OUT Lch and Rch respectively. Multiple effects cannot be on simultaneously. If you do want to use multiple effects on a sample, or if you need to have a different effect applied to each individual effect, then use “resampling.”. Adjusts the cutoff frequency. Changes the pitch up or down two octaves. Adjusts the depth of distortion. 14. FUZZ DRIVE Adds harmonics and distorts the Adjusts the depth of distortion. sound. 15. WAH SENS Produces a “wah” effect Adjusts the sensitivity of the Wah effect. The types of notes that can be set: thirty-second note eighth-note triplets quarter-note triplets (. This is called “resampling.” For example, this allows multiple samples to be played simultaneously and then sampled to combine them into one sample, or to be resampled with an effect applied. You may select more than one pad. If you want to select a sample of another pad bank, switch pad banks (p. http://amorbj.com/upload/file/2020/08/282346444375.xml

For example, a drum phrase can be divided into samples containing separate rhythm instruments such as “bass. When adding or making fine adjustments to the dividing point, the number of samples at the location of the wave pointer will be displayed in the upper right of the screen. The sample waveform will be displayed. 2. Use the VALUE dial to move to the dividing point whose location you want to adjust. Realtime recording Realtime recording lets you record by striking pads while you listen to the metronome. The pattern will play back repeatedly, and the data you input will be combined with the existing data. Pressing the pads will produce sound, but nothing will be recorded.Move the cursor to the ACC (accent) location of the pad data whose volume you want to adjust, and use the VALUE dial to adjust the accent. Never turn off the power while the display indicates “Keep Power On!” Assigning a name to a pattern 1. On the SP-505 you can connect a maximum of 999 patterns.Never turn off the power while the display indicates “Keep Power On!” Deleting a pattern 1. Deleting Or Copying A Pattern Or Song Using A Memory Card If the power is on when you insert a card, not only the memory card, but also the internal data can be destroyed. Using The Sp-505 With Other Midi Devices. The SP-505 may fail to operate correctly if this is done. About MIDI MIDI stands for Musical Instrument Digital Interface. It is a. Making System Settings Restoring The Factory Settings You can restore all data to the factory settings at once, or select a specific type of data, such as sequencer settings, to be initialized. Appendices If this does not resolve the problem, please contact the nearest Roland Service Center or your dealer.If you continue using the SP-505 in this state, further malfunctions may occur. Please initialize the internal memory. When you initialize, all data in internal memory will be. http://www.drupalitalia.org/node/72315

Make sure that the note numbers of the note messages are in the range of note numbers that the SP-505 is able to receive. (p. 83) Check the settings of the external MIDI device. MIDI Buffer Full! Too many MIDI messages were received all at once, and the SP-505 was unable to process all of them. Reduce the amount of MIDI messages being transmitted to the SP-505. MIDI Error! A MIDI message was not received correctly. Universal System Exclusive Message INQUIRY MESSAGE Identity Reply Status Byte 39H 01H. Basic Default Channel Changed Default Mode Messages Altered Note Number: True Voice Note On Velocity Note Off After Key's Touch Channel's Pitch Bend Control Change Program: True Number Change. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entiIn the case of the symbol at left, it is used for improperly.Used for instructions intended to alert The symbol To protect yourself againsSmartMedia into the SP-505. The samples that are generated in this way are automatically assigned to pads. Re-sampling You can play back samples while applying inPress this to edit the sampled waveform. REC LEVEL (REC Level Knob) (4) PHRASE CONTROL Adjusts the volume during sampling. Adjusts the EXT SOURCE volume. BPM ADJUST Button Press this when you want to control the BPM of a sampled phrase in real time. (2) SAMPLING BPM SYNC Button SOURCE SELECT Button BySYSTEM Button Press this button when you want to make system-related settings, such as adjusting the display contrast or setting the (7) SEQUENCER MIDI channel. SONG Button Display Press this button to play back Use this button to delete the sample assigned to a pad. HOLD Button (8) If you hold down a pad and press this button, the sample will continue to play even after you take your finger off the VALUE Dial pad. Use this to adjust the value of a setting. https://www.efg-badoeynhausen.de/images/boss-space-echo-manual.pdf

EXT SOURCE (External source) Button EXIT Button You can use this button to play external input sources. Press tBy connecting headphones, you can hear the same sound as that output from LINE OUT.Doing so can cause malfunctions. (17) (12) LINE OUT JacksBy turning on VOLUME knob to adjust the volume appropriately.Instead, it records (samples) various sounds contain sound, “patterns,” which contain performance. Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Please try again.Please try again.Show details. Sold by UJC Mart Japan and ships from Amazon Fulfillment. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.Now, you could run off in search of your manual, or you could do yourself a favor and just buy an M-Audio SP-1 Sustain Pedal in the first place and save yourself the trouble. The SP-1 Sustain Pedal has a switchable polarity, so it will work with both your Yamaha and your Roland synth — no problem.Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. Please try again later. Mark R. Wietstock 5.0 out of 5 stars It's quiet; the construction is very heavy duty.At this price, nothing else I've tried even comes close.Its reliable rock solid, and easy to press and undress.This one seems to fit the bill just fine. I've read that the mechanism that closes the internal switch isn't really robust. It's working fine here for now.It also have the bonus of a polarity switch on the back, so I was sure this one will work either way. Awesome buy. http://frederickfollows.co.uk/wp-content/plugins/formcraft/file-upload/server/content/files/162738c76aa094---bristan-carre-shower-manual.pdf

Most mentioned, the one I received didn't had the M-Audio brand on white like in the picture.They tend to move around so I put duck tape under them, but I will continue to use them!I prefer a piano style pedal, however, this pedal does have many positive attributes: 1. Reasonable price. 2. Sturdy construction. 3. Reverse polarity is useful. 4. It does not slide around on any type of floor I've used including glossy hardwood. 5. It is very compact and easy to store.The case is metal, not plastic, so it'll hold up well over time. The rubber pads on the top and bottom keep it from moving around, though the pads have a tendency to come loose. The main reliability issue with the pedal is the low-cost construction inside. Instead of having the pedal actuate a switch inside, there's just a stiff bare wire that presses down against another bare wire to make contact. It works and is cheaper to manufacture than using a real switch. However, if the pedal goes unused for a few days, oxidation forms on the bare wire, which results in unreliable contact and flaky pedal response. Depressing the pedal a dozen or more times clears off the oxidation. If you're handy with a soldering iron, replacing the pseudo-switch with a real momentary contact switch would yield a really great pedal.I bought this a year and a half ago and with perseverance have found that although it is still working, it has always had this annoying habit of not sustaining the notes when I'm pressing it firmly down, often at a key point in the music. I've worked out that the trick is to really slam my foot down, but only on the right hand side. Hmm. Despite its clear faults, it does generally work, and is relatively comfortable to use. Needless to say, however, I will not be purchasing another when (and that is a when!) my current one finally stops working altogether. Not hugely impressed.Sorry, we failed to record your vote. domainersuite.com/ckfinder/userfiles/files/canon-md-150-manual.pdf

Please try again At some point it was a bit loose so I took a common Philips screwdriver and loosed the spring inside with ease, however no other problems. Would recommend, no complaints.Sorry, we failed to record your vote. Please try again These sustain pedals are solid and easy to use.Sorry, we failed to record your vote. Please try again Small and neat and seems sturdy (metal construction).Sorry, we failed to record your vote. Please try again After getting a replacement with the same model, the same thing happened, again. Do not recommend.Sorry, we failed to record your vote. Please try again Solid feel, good spring action and response. Might not be immediately obvious but it has a small slide switch at the back to reverse polarity making it compatible with all keyboards that require a momentary make or break switch to activate the sustain function. Very pleased with it. Excellent value.Sorry, we failed to record your vote. Please try again Well built but switch a little stiff (with no feedback) for my liking. but. as they say. you get what you pay for and this does the job.Sorry, we failed to record your vote. Please try again Then I stamp on it a few times and it returns to proper function. Okay generally though for the price.Sorry, we failed to record your vote. Please try again Solid metal construction with non slip rubber. Decent length cable too. Should last years.Sorry, we failed to record your vote. Please try again It replaced a Roland which was plastic, light as a feather (shifted around) bulky and more expensive. Good seller too.Sorry, we failed to record your vote. Please try again Appears to be a better make of pedal than my previous SP-I.Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again El pedal viene bien embalado, esta bien construido y dispone de un conmutador para el cambio de polaridad. {-Variable.fc_1_url-

En su parte inferior lleva una goma adherente para evitar desplazamientos, pero debido a la ligereza del pedal, en determinadas superficies puede resultar poco eficiente.Sorry, we failed to record your vote. Please try again In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Q: What can be done to combat the effects of cold water on RO membranes. A: Increasing the water pressure with a booster pump. Increasing the feed water temperature, which some people do by mixing warm and cold water from a diverter valve. A: System ratios can change over time if the flow restrictor starts clogging due to hard feed water conditions. Q: Does the system ratio change with water temperature. A: System ratios (waste ratios) can drift with cold feed water. ? Water travels the path of least resistance — the drain line. It’s important to check the system ratio during the winter months and adjust if necessary. Q: How can the system ratio be adjusted. A: System ratios can be tuned with a ball valve or Flow Box. Never go lower than the system was intended for. A: RO membranes require 40 psi of incoming pressure to produce even a drop of water except for our GXM200-HF which requires only 20PSI.? The only membrane on the planet that can do this. A: Incoming feed water pressure on all water filters, always and everywhere, should be no more than 80psi. Plastic filter housings cannot handle more pressure. A: Well water is generally too dirty for small RO membranes (100GPD through 400GPD systems).? The large 4” membranes of the bigger systems (600GPD and larger) are recommended for well water treatment unless the water demand is really low. This premium catalytic carbon filter with a bed of KDF85 media can reduce iron, hydrogen sulfide, heavy metals, and bacteria—all things that wreak havoc on RO components—, especially membranes. Other consideration for special filters can only be deduced with a laboratory water analysis. www.fotografoeventimilano.com/wp-content/plugins/formcraft/file-upload/server/content/files/162738c96976f7---brisque-rip-manual.pdf

If you don’t have a recent analysis, you can either use a local water lab or purchase a test kit through GrowoniX send it off to our partner lab. The manual should be saved and kept on hand as a convenient reference. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. Big and cumbersome, effects pedals were barely on the average guitar player’s radar throughout most of the 70s. This was due to the high cost, low production numbers and inconvenient nature of these boxes. Ever since then, the BOSS Compact Pedal design is considered the “gold standard” in compact effects pedal design. Today, it’s challenging to find an effects pedal that doesn’t owe something to BOSS’ unique design, introduced 40 years ago. The OD-1 OverDrive in particular holds a special significance, as it presented a new kind of distortion, previously unheard in a guitar effects pedal. In production from November 1977 to November 1981, it had a relatively short lifespan and low production numbers. Today, it fetches big prices on the used market (if you can find one). The SPECTRUM knob enables continuously variable setting of frequencies in the range of 500Hz to 5 kHz. The BALANCE knob sets the peak of the selected frequency. Why? Bass players found it useful for cleaning up “muddy” tone. Keyboard and electric piano players used it to augment their sound, for clarity and brightness. It was a new effect and the only effect of its kind. Although it wasn’t a knockout pedal on its release, it’s still capable of very usable results. In fact, it’s great for that snappy, almost phased kind of funky guitar sound! BOSS responded to the call with the PH-1 Phaser, a lush and smooth sounding phaser that’s gone on to augment the sound of many a spacious guitar, bass or synth! The PH-1 added a DEPTH control, which enabled the effect to be either super subtle, or lush and rich at the user’s discretion. www.docutek-inc.com/upload/files/canon-md-120-user-manual.pdf

Since the PH-1’s RATE control was freely adjustable from an ultra-low speed of 16 seconds to a high speed of 100 milliseconds, the PH-1 could handle a range of settings. The PH-1 later spawned the PH-1R (which added a Resonance knob), the PH-2 Super Phaser (which featured dual phase modes) and the legacy of the original still lives on today with the PH-3 Phase Shifter. Context is important here, so let’s take a trip further down memory lane! The further tuned up they were, the more they started to reach their limits and distort. This was what spawned the initial development of fuzz pedals. In this task, they weren’t quite up to the job. They did, of course, became revered for their own unique fuzzy tones. The OD-1 OverDrive was a fresh piece of engineering from the team at BOSS. It was a landmark of guitar technology. When played into a clean amp, the OD-1 astounded guitar players of the time with its “amp-like” feel. Finally, for the first time ever, guitarists had access to organic, amp-like overdriven sounds at reasonable volume levels! Jeff Beck was an early pioneer of this technique, using the BOSS OD-1 and before too long, it seemed that every guitar player on the planet was buying an OD-1 to use on their amp. Other pedal manufacturers took notice of the OD-1’s ability to make a tube amp scream and were soon releasing their own pedals with many striking circuit design similarities to the OD-1 (though just enough difference to avoid a lawsuit!). The OD-1 began a legend that has never really left us. Its many iterations, incarnations and spiritual successors are still in production to this day. They include the SD-1 Super OverDrive, the OD-3 OverDrive, the OD-1X pedal and the Waza Craft SD-1W. BOSS Compact Pedals spearheaded a movement towards design excellence. It’s an ethos to create products that focus as much on the user experience, as the sound of the pedal. BOSS is looking forward to the next 40 years of pedals and the results of what creative and brilliant musicians can achieve with these iconic stompboxes. Maybe you’ve come across one of When used for specific genres, They sound great together but now you really. If you want to find out more about the cookies we use, you can access to our Privacy Policy here. By continuing your visit to our website, we'll assume you consent to our use of cookies.All Rights Reserved. Hydraulic flows based on 4.48 C.I.R. motor requirements at 2600 psig average.While there are standard safety rules, each situation has its own peculiarities that cannot always be covered by rules. Therefore with your experience and common sense, you are in a position to ensure your safety. Lack of attention to safety can result in: accidents, personal injury, reduction of efficiency and worst of all - Loss of Life. Watch for safety hazards. Correct them promptly. Use the following safety precautions as a general guide to safe operation: Do not attempt to remove any compressor parts without first relieving the entire system of pressure. Do not attempt to service any part while machine is operating.Periodically check all safety devices for proper operation. Do not play with compressed air. Pressurized air can cause serious injury to personnel. Exercise cleanliness during maintenance and when making repairs.Do not install safety devices other than authorized BOSS INDUSTRIES replacement devices. Close all openings and replace all covers and guards before operating compressor unit. Tools, rags, or loose parts must not be left on the compressor or drive parts. Do not use flammable solvents for cleaning parts. Keep combustibles out of and away from the Compressor and any associated enclosures. The owner, lessor, or operator of the Compressor are hereby notified and forewarned that any failure to observe these safety precautions may result in damage or injury. These decals must be affixed to the vehicle after it has been painted, trimmed, and undercoat, etc.The decals shall be placed so as to be clearly visible to the user and service personnel. (Figures 1 through 6.) Figure 1. To be placed on visor or dash near start-up procedure decal. Sometimes referred to as the separator element. CFM - Refers to the volume of compressed air being produced expressed as cubic feet of air per minute. LOAD CONTROLLER - Sometimes referred to as the engine speed control. OIL SUMP - The first stage of oil separation from compressed air. Also serves as reservoir area for compressor lubricant and sometimes referred to as the receiver tank. PSI - Refers to the operating pressure the system is set up at, expressed as pounds per square inch. SAFETY VALVE - A valve located on the oil sump which opens in case of excessive pressure. Sometimes referred to as the pop-off or pressure relief valve. SHUTDOWN SWITCH - Works in conjunction with a temperature and pressure switchgauges, sending a signal to stop the compressor power source in cases of high temperature or pressure. SIDE MOUNT PTO - Power take off gearbox that bolts to the side of the transmission. The PTO input gear with one of the gears in the vehicle’s transmission. The rotation developed by the engine drives the transmission which turns the PTO gear box and rotates the PTO output shaft, driving the compressor. ADAPTER GEAR ASSEMBLY: SIDE MOUNT PTO - The adapter gear assembly and the side mount PTO are assembled to the side of the transmission. Typically a PTO box installed on a manual transmission will require an adapter gear assembly in order to obtain the proper engine rotation required by the compressor. Most automatic transmissions utilize engine rotation PTO’s. Consult Boss Industries Inc. Components include a housing (stator), two screws (rotors), bearings, and bearing supports. Power from the engine is transferred to the male rotor through a drive shaft and gears in the gear housing. The female rotor is driven by the male rotor. There are four lobes on the male rotor while the female rotor has five roots. PRINCIPLES OF OPERATION In operation, two helical grooved rotors mesh to compress air. Inlet air is trapped as the male lobes roll down the female grooves, pushing trapped air along, compressing it until it reaches the discharge port in the end of the stator and delivers smooth-flowing, pulse-free air to the receiver. During the compression cycle, oil is injected into the compressor and serves these purposes: 1. Lubricates the rotating parts and bearings. 2. Serves as a cooling agent for the compressed air. 3. Seals the running clearances. LUBRICATION SYSTEM Oil from the compressor oil sump, at compressor discharge pressure, is directed through the oil filter, cooling system, and to the side of the compressor stator, where it is injected into the compressor. At the same time oil is directed internally to the bearings and shaft seal of the compressor. The oil-laden air is then discharged back into the sump. OIL SUMP Compressed, oil-laden air enters the sump from the compressor. As the oil-laden air enters the sump, most of the oil is separated from the air as it passes through a series of baffles and de-fusion plates. The oil accumulates at the bottom of the sump for recirculation. This valve acts as a backup to protect the system from excessive pressure that might result from a malfunction. When air is demanded at the service line, it passes through the coalescer which efficiently provides the final stage of oil separation. OIL RETURN LINE The oil that is removed by the coalescer accumulates at the bottom of the can and is returned through an oil return line leading to the compressor. MINIMUM PRESSURE ORIFICE The minimum pressure orifice is located at the outlet of the coalescer head and serves to maintain a minimum discharge pressure of 65 PSIG in operation, which is required to assure adequate compressor lubrication pressure. OIL FILTER The compressor oil filter is the full-flow replaceable element type and has a safety bypass built into it. COMPRESSOR COOLING SYSTEM (STANDARD) The compressor cooling system consists of an oil cooler remote mounted aerodynamically designed cooling pressure or a cooler mounted in front of the truck’s radiator. Oil temperature is controlled by a thermal switch or a valve located down stream of the oil filter. It is designed to be mounted inside the cab or in a protected area outside of the cab. Operate compressor within the discharge pressure limits as indicated in specifications section. HOURMETER The hourmeter records the total number of operating hours. It serves as a guide in following the recommended inspection and maintenance schedule. The hourmeter will only rum when there is pressure in the system. The switchgauge ensures safety shutdown in case of excessive operating temperatures, preventing compressor damage. ELECTRICAL AND SAFETY SYSTEM The BOSS compressor’s standard electrical system consists of a gauge panel; a remote mount 12 VDC fan package with fan switch and relay assembly (for standard cooling system only); and a resetable normally closed shutdown switch. These components are integrated together to provide a safety shutdown system that is activated when extreme high temperature or pressure conditions are present. When the temperature or pressure exceeds the maximum set parameter of the respective switchgauge a signal is sent to “trip” the shutdown switch from normally closed to open. This signal will then shut off the engine in vehicles equipped with a CABLE PTO or disengage the PTO in “HOT SHIFT” PTO applications. ELECTRONIC ENGINE INTERFACE Electronic engine interface for the compressor speed control incorporates several BOSS supplied electrical components that are chassis specific. A chassis specific wiring diagram and electrical components are supplied per the vehicle application data at the time of the order. It is located at the downstream side of the coalescer head and will automatically bleed the sump to zero pressure when the compressor is disengaged. Blow down time interval takes between 30 to 60 seconds. CONTROL SYSTEM The prime component of the compressor control system is the compressor inlet valve. The control system is designed to match air supply to air demand and to prevent excessive discharge pressure when compressor is at idle. Control of air delivery is accomplished by the inlet valve regulation and modulation as directed by the discharge pressure regulator. DISCHARGE PRESSURE REGULATOR VALVE This valve, located on the coalescer head is used to set the desired discharge pressure within the operating pressure range. Turning the regulator screw clockwise increases the working pressure, a counterclockwise movement of the screw reduces the working pressure. This system has a maximum operating pressure of 175 psi. NOTE: Most air tools operating pressure range is between 90 and 125 psi. Operating above the tools recommended pressures will decrease the life of the tool. Higher operating pressure can also over torque nut and bolts fatiguing the fastener and mating parts. Strictly adhere to tool operating pressures and torque standards set forth by the tool manufacturer and the specifications of the equipment that work is being performed on. For the working pressure range of your machine, refer to applicable data in “Specifications”. The pressure regulator, mounted on the coalescer head, operates as follows: 1. As the demand for air decreases, the receiver pressure rises.